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Originally posted by Paddo Colt 61 View PostOzymandias
BY PERCY BYSSHE SHELLEY
I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”
Comment
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Here is another from the romantic school. It's by one of your favourites MR - Coleridge. Again it is an illustration of the wonder of imagination as is the Ancient Mariner of your schooldays. The Limetree is a masterpiece of the genre.
The poem recounts a day when the writer was unable, his foot having been scalded with boiling milk, to take a group of friends on what we might call a bushwalk in the environs around his home. He is unable to go physically but his imagination follows them on the journey as he sits, alone, under the branches of the Lime Tree in his garden.
Nature was an enormous part of the Romantic movement because of its impact on the senses and, therefore, on the imagination and this poem reflects that role in its rich sensuality. There is wonderfully detailed sight and sound imagery as, in imagination, he accompanies them through every stage of their walk
This Lime-tree Bower my Prison
BY SAMUEL TAYLOR COLERIDGE
Well, they are gone, and here must I remain,
This lime-tree bower my prison! I have lost
Beauties and feelings, such as would have been
Most sweet to my remembrance even when age
Had dimm'd mine eyes to blindness! They, meanwhile,
Friends, whom I never more may meet again,
On springy heath, along the hill-top edge,
Wander in gladness, and wind down, perchance,
To that still roaring dell, of which I told;
The roaring dell, o'erwooded, narrow, deep,
And only speckled by the mid-day sun;
Where its slim trunk the ash from rock to rock
Flings arching like a bridge;—that branchless ash,
Unsunn'd and damp, whose few poor yellow leaves
Ne'er tremble in the gale, yet tremble still,
Fann'd by the water-fall! and there my friends
Behold the dark green file of long lank weeds,
That all at once (a most fantastic sight!)
Still nod and drip beneath the dripping edge
Of the blue clay-stone.
Now, my friends emerge
Beneath the wide wide Heaven—and view again
The many-steepled tract magnificent
Of hilly fields and meadows, and the sea,
With some fair bark, perhaps, whose sails light up
The slip of smooth clear blue betwixt two Isles
Of purple shadow! Yes! they wander on
In gladness all; but thou, methinks, most glad,
My gentle-hearted Charles! for thou hast pined
And hunger'd after Nature, many a year,
In the great City pent, winning thy way
With sad yet patient soul, through evil and pain
And strange calamity! Ah! slowly sink
Behind the western ridge, thou glorious Sun!
Shine in the slant beams of the sinking orb,
Ye purple heath-flowers! richlier burn, ye clouds!
Live in the yellow light, ye distant groves!
And kindle, thou blue Ocean! So my friend
Struck with deep joy may stand, as I have stood,
Silent with swimming sense; yea, gazing round
On the wide landscape, gaze till all doth seem
Less gross than bodily; and of such hues
As veil the Almighty Spirit, when yet he makes
Spirits perceive his presence.
A delight
Comes sudden on my heart, and I am glad
As I myself were there! Nor in this bower,
This little lime-tree bower, have I not mark'd
Much that has sooth'd me. Pale beneath the blaze
Hung the transparent foliage; and I watch'd
Some broad and sunny leaf, and lov'd to see
The shadow of the leaf and stem above
Dappling its sunshine! And that walnut-tree
Was richly ting'd, and a deep radiance lay
Full on the ancient ivy, which usurps
Those fronting elms, and now, with blackest mass
Makes their dark branches gleam a lighter hue
Through the late twilight: and though now the bat
Wheels silent by, and not a swallow twitters,
Yet still the solitary humble-bee
Sings in the bean-flower! Henceforth I shall know
That Nature ne'er deserts the wise and pure;
No plot so narrow, be but Nature there,
No waste so vacant, but may well employ
Each faculty of sense, and keep the heart
Awake to Love and Beauty! and sometimes
'Tis well to be bereft of promis'd good,
That we may lift the soul, and contemplate
With lively joy the joys we cannot share.
My gentle-hearted Charles! when the last rook
Beat its straight path along the dusky air
Homewards, I blest it! deeming its black wing
(Now a dim speck, now vanishing in light)
Had cross'd the mighty Orb's dilated glory,
While thou stood'st gazing; or, when all was still,
Flew creeking o'er thy head, and had a charm
For thee, my gentle-hearted Charles, to whom
No sound is dissonant which tells of Life.
- 2 likes
Comment
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[QUOTE=mightyrooster; Thanks Andy.
Since we seem to have a MR admiration circle going here, I'm adding some moderation.
She called herself Rooster the Mighty
And her posts were never flighty, nor rude or condescending. She was conscious of ever offending.
But she loved the US and the mainstream press
So her posts are not worth recommending.
- 1 like
Comment
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Originally posted by Paddo Colt 61 View PostHere is another from the romantic school. It's by one of your favourites MR - Coleridge. Again it is an illustration of the wonder of imagination as is the Ancient Mariner of your schooldays. The Limetree is a masterpiece of the genre.
The poem recounts a day when the writer was unable, his foot having been scalded with boiling milk, to take a group of friends on what we might call a bushwalk in the environs around his home. He is unable to go physically but his imagination follows them on the journey as he sits, alone, under the branches of the Lime Tree in his garden.
Nature was an enormous part of the Romantic movement because of its impact on the senses and, therefore, on the imagination and this poem reflects that role in its rich sensuality. There is wonderfully detailed sight and sound imagery as, in imagination, he accompanies them through every stage of their walk
This Lime-tree Bower my Prison
BY SAMUEL TAYLOR COLERIDGE
Well, they are gone, and here must I remain,
This lime-tree bower my prison! I have lost
Beauties and feelings, such as would have been
Most sweet to my remembrance even when age
Had dimm'd mine eyes to blindness! They, meanwhile,
Friends, whom I never more may meet again,
On springy heath, along the hill-top edge,
Wander in gladness, and wind down, perchance,
To that still roaring dell, of which I told;
The roaring dell, o'erwooded, narrow, deep,
And only speckled by the mid-day sun;
Where its slim trunk the ash from rock to rock
Flings arching like a bridge;—that branchless ash,
Unsunn'd and damp, whose few poor yellow leaves
Ne'er tremble in the gale, yet tremble still,
Fann'd by the water-fall! and there my friends
Behold the dark green file of long lank weeds,
That all at once (a most fantastic sight!)
Still nod and drip beneath the dripping edge
Of the blue clay-stone.
Now, my friends emerge
Beneath the wide wide Heaven—and view again
The many-steepled tract magnificent
Of hilly fields and meadows, and the sea,
With some fair bark, perhaps, whose sails light up
The slip of smooth clear blue betwixt two Isles
Of purple shadow! Yes! they wander on
In gladness all; but thou, methinks, most glad,
My gentle-hearted Charles! for thou hast pined
And hunger'd after Nature, many a year,
In the great City pent, winning thy way
With sad yet patient soul, through evil and pain
And strange calamity! Ah! slowly sink
Behind the western ridge, thou glorious Sun!
Shine in the slant beams of the sinking orb,
Ye purple heath-flowers! richlier burn, ye clouds!
Live in the yellow light, ye distant groves!
And kindle, thou blue Ocean! So my friend
Struck with deep joy may stand, as I have stood,
Silent with swimming sense; yea, gazing round
On the wide landscape, gaze till all doth seem
Less gross than bodily; and of such hues
As veil the Almighty Spirit, when yet he makes
Spirits perceive his presence.
A delight
Comes sudden on my heart, and I am glad
As I myself were there! Nor in this bower,
This little lime-tree bower, have I not mark'd
Much that has sooth'd me. Pale beneath the blaze
Hung the transparent foliage; and I watch'd
Some broad and sunny leaf, and lov'd to see
The shadow of the leaf and stem above
Dappling its sunshine! And that walnut-tree
Was richly ting'd, and a deep radiance lay
Full on the ancient ivy, which usurps
Those fronting elms, and now, with blackest mass
Makes their dark branches gleam a lighter hue
Through the late twilight: and though now the bat
Wheels silent by, and not a swallow twitters,
Yet still the solitary humble-bee
Sings in the bean-flower! Henceforth I shall know
That Nature ne'er deserts the wise and pure;
No plot so narrow, be but Nature there,
No waste so vacant, but may well employ
Each faculty of sense, and keep the heart
Awake to Love and Beauty! and sometimes
'Tis well to be bereft of promis'd good,
That we may lift the soul, and contemplate
With lively joy the joys we cannot share.
My gentle-hearted Charles! when the last rook
Beat its straight path along the dusky air
Homewards, I blest it! deeming its black wing
(Now a dim speck, now vanishing in light)
Had cross'd the mighty Orb's dilated glory,
While thou stood'st gazing; or, when all was still,
Flew creeking o'er thy head, and had a charm
For thee, my gentle-hearted Charles, to whom
No sound is dissonant which tells of Life.
Comment
-
[QUOTE=Paddo Colt 61;n965598][QUOTE=mightyrooster; Thanks Andy.
Since we seem to have a MR admiration circle going here, I'm adding some moderation.
She called herself Rooster the Mighty
And her posts were never flighty, nor rude or condescending. She was conscious of ever offending.
But she loved the US and the mainstream press
So her posts I'm not recommending.
[/QUOTE]
LOL!
Very good Paddo, except for the factual inaccuracies like the fact I hate the US.
Comment
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[QUOTE=mightyrooster;
I quite like this one, being a lover of nature and landscapes. Plus it only has slight religious connotations, whereas The Ancient Mariner was really full on. The thing I hated about the latter was it is sooo sooo long. I don't think my 17 year old self could handle it and English was my least favourite subject.
You must have had a poor English teacher in the senior years (there are plenty of them, more so than competent ones) because you display more than adequate writing skills so all that needed to be done was to teach you how to discuss. I've seen TV reports at HSC time when some loon (usually female unforch) is seen advising "Write, write, write!" which is lunacy. The idea with a text like the Ancient Mariner is to have a reasonable knowledge of the dramatic situation and to be able to discuss generally and conversationally, much as you do here. The HSC rewards your fluency and precision and the text is merely a stimulus that allows you to demonstrate your skills.
Glad that you liked the Limetree though I don't see any religious reference in it apart from "heaven" and "steeples" which are simply literary in this case and "Mighty Spirit" which I read as nature. Nor do I recall religious references in "Mariner" which is Coleridge's contribution to the myth and legend genre which, as I've said, was a big part of the Romantic movement's thematic concerns. The Mariner sinned against nature and nature took its revenge.
Do you see how the Lime tree poem exalts the role of imagination?
Hopefully the "Mariner" hasn't spooked you with regard to analysis.Last edited by Paddo Colt 61; 09-29-2022, 04:32 PM.
Comment
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[QUOTE=Paddo Colt 61;n965720][QUOTE=mightyrooster;
I quite like this one, being a lover of nature and landscapes. Plus it only has slight religious connotations, whereas The Ancient Mariner was really full on. The thing I hated about the latter was it is sooo sooo long. I don't think my 17 year old self could handle it and English was my least favourite subject.
You must have had a poor English teacher in the senior years (there are plenty of them, more so than competent ones) because you display more than adequate writing skills so all that needed to be done was to teach you how to discuss. I've seen TV reports at HSC time when some loon (usually female unforch) is seen advising "Write, write, write!" which is lunacy. The idea with a text like the Ancient Mariner is to have a reasonable knowledge of the dramatic situation and to be able to discuss generally and conversationally, much as you do here. The HSC rewards your fluency and precision and the text is merely a stimulus that allows you to demonstrate your skills.
Glad that you liked the Limetree though I don't see any religious reference in it apart from "heaven" and "steeples" which are simply literary in this case and "Mighty Spirit" which I read as nature. Nor do I recall religious references in "Mariner" which is Coleridge's contribution to the myth and legend genre which, as I've said, was a big part of the Romantic movement's thematic concerns. The Mariner sinned against nature and nature took its revenge.
Do you see how the Lime tree poem exalts the role of imagination?
Hopefully the "Mariner" hasn't spooked you with regard to analysis.[/QUOTE]
Yes, I guess ‘Mariner’ uses religious symbolism to get the general message across that if you allow selfishness and pride to distract you then this may lead you astray and then you will need to find your way to redemption. As for the Lime Tree one, yes I see that. The writer got just as much enjoyment out of imagining what his friends might see on their walk as he would have if he was physically there with them. It’s like when you read a book and you use your imagination to fill in the blanks rather than have a movie do it for you.
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